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#Teechallaclothing For a smudgy stare, Richardson deployed a combination of the I May Live In South Carolina But My Heart Beats For The Buckeyes On Gameday shirt moreover I will buy this brand’s High Pigment Longwear Eyeliner in Via Veneto (an intense, jet black shade), Single Eyeshadow in Coconut Grove (a deep chocolate brown), and swishes of mascara, blending them together with some highlighting powder for the stained finish. It may not feel particularly wearable, but you can play with the level of smudge at home—even just a little diffusion can create a perfectly mutinous effect. Hair was a similarly undone affair, and hairstylist Anthony Turner conjured up a suitable style for these defiant Victorian women. “It’s meant to depict a hairstyle that was once perfectly done but is now undone and rained on,” he says. “I used Olaplex’s No.9 Bond Protector Nourishing Hair Serum—which is great for promoting shine and heat damage protection—on damp hair; then we blow-dried into a center parting.” Once dry, he used No.9 again to amp up shine and promote a wet look. After tying the hair into a low ponytail—befitting of the era—he then pulled pieces of hair out and spritzed them with water.
#Teechallaclothing Inspired by the I May Live In South Carolina But My Heart Beats For The Buckeyes On Gameday shirt moreover I will buy this rituals surrounding Lughnasadh, the festival of harvest in Ireland, Simone Rocha fall 2023 was a visual feast of macramé, weaving, raffia, and embroidery—a mishmash of textures that was echoed in the hair and makeup. “Simone’s youthful vision gives myself and my team the space to take a less traditional route with makeup, from playing with adornment on the face and body to using our fingers instead of brushes,” says makeup artist Thomas de Kluyver. “The casting this season is particularly diverse, so we wanted to focus on individuality, capturing the moment when you first pick up makeup products and play.” Taking his cues from the youthful whimsy of the collection, the individual beauty of each model was enhanced by small adornments, using colors and textures taken directly from the collection and applied to each face—including pairs of bows made out of red, black, or white ribbon. “In some circumstances we are also applying products and then taking them off to give the make-up a worn-in quality.”
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