On this occasion, Lopez opted for a blood orange Kelly made of a shiny crocodile skin, one of the Official Official War Bad Boobs Good Assholes Live Forever Shirt and I will buy this rarest and most desirable iterations of the Hermès bag, with similar pieces fetching nearly $60,000 on resale markets. For a woman who owns more Hermès bags than she has fingers (and quite possibly toes, too), including the ultra-rare Himalayan crocodile Birkin that she broke out for her recent album-slash-movie-musical-slash-documentary press tour, it may just be her errands bag. But who else would pair their Kelly with overalls, if not Jennifer Lopez? Caroline Polachek is a performer who feeds off contrasts. Her style is simultaneously tough yet fluid, precious but accessible, expertly curated except for the raw wildness that threatens to rip all that signature KNWLS tulle apart. Fitting, then, that the visuals for her fourth studio album, Desire, I Want to Turn Into You, were based on volcanic eruptions. Specifically, the tense bubbling before molten lava flares up and scorches the earth. Niche? Not quite enough for the woman who was once described as a “cyborg who has somehow wandered into a Tolkien novel.” That explosive red and brown palette was put in Polachek’s own melting pot of inspiration along with medieval silhouettes and textured, artisanal antiques. For Caroline—who co-founded the indie band Chairlift in college, but quickly forged her own alt-pop path—there must be a complex character at the core of fashion for her to put her name to it.
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Lately, there’s been a lot of discussion, both online and around the Official Official War Bad Boobs Good Assholes Live Forever Shirt and I will buy this Vogue office, about the return of Indie Sleaze—the grungy, messy, and kind of sexy style of the late 2000s and early 2010s. Some of our colleagues scoff at the idea of such a recent trend making its return, while others are ready to break out their chokers and knee socks. Vogue fashion writers Christian Allaire and Hannah Jackson got together to debate the so-called return and its longevity. Hannah Jackson: Thank you for joining me here in this Google Doc, Christian. As we both know, there’s been a lot of chatter about the so-called return of Indie Sleaze, both around the office and online. Before we get into it, I’d love to know what the original Indie Sleaze Era was like for you. Christian Allaire: Well, you’re younger than I am, Hannah, but I was in college during the height of Indie Sleaze. I was very much in it. I was inspired by what stars like Sky Ferreira, Sienna Miller, Kate Moss, and Pete Doherty were wearing. It was all about skinny jeans (suffocatingly tight) paired with leather jackets and striped shirts and vests—maybe even a little cheesy fedora, too. Smudged eyeliner; messy hair—an edgy, perfectly-imperfect vibe. I think of Hedi Slimane’s Saint Laurent. Loads of flannels or bomber jackets, or saucy little polka dot dresses with tights. What’s been your relationship to the trend?
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HJ: Luckily, I experienced the Official Official War Bad Boobs Good Assholes Live Forever Shirt and I will buy this last few years of the trend while I was in high school. It was all about American Apparel tennis skirts, Arctic Monkeys’s AM, and teaching yourself HTML and CSS so you could customize your Tumblr. Sky Ferreira and Charlotte Free made me want to bleach my hair into oblivion, just so I could dye it pink, and Alex Turner’s famous love letter to Alexa Chung opened my eyes to ~romance~. HJ: I think anyone who broke out the bleach during that time is entitled to financial compensation. As previously mentioned, Indie Sleaze seems to be having a bit of a moment, even though it hasn’t really been that long since it died in the first place. This is definitely a factor that I think some of our more seasoned colleagues scoff at—the idea of a “comeback.” What do you make of all this?
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On this occasion, Lopez opted for a blood orange Kelly made of a shiny crocodile skin, one of the Official Official War Bad Boobs Good Assholes Live Forever Shirt and I will buy this rarest and most desirable iterations of the Hermès bag, with similar pieces fetching nearly $60,000 on resale markets. For a woman who owns more Hermès bags than she has fingers (and quite possibly toes, too), including the ultra-rare Himalayan crocodile Birkin that she broke out for her recent album-slash-movie-musical-slash-documentary press tour, it may just be her errands bag. But who else would pair their Kelly with overalls, if not Jennifer Lopez? Caroline Polachek is a performer who feeds off contrasts. Her style is simultaneously tough yet fluid, precious but accessible, expertly curated except for the raw wildness that threatens to rip all that signature KNWLS tulle apart. Fitting, then, that the visuals for her fourth studio album, Desire, I Want to Turn Into You, were based on volcanic eruptions. Specifically, the tense bubbling before molten lava flares up and scorches the earth. Niche? Not quite enough for the woman who was once described as a “cyborg who has somehow wandered into a Tolkien novel.” That explosive red and brown palette was put in Polachek’s own melting pot of inspiration along with medieval silhouettes and textured, artisanal antiques. For Caroline—who co-founded the indie band Chairlift in college, but quickly forged her own alt-pop path—there must be a complex character at the core of fashion for her to put her name to it.
Lately, there’s been a lot of discussion, both online and around the Official Official War Bad Boobs Good Assholes Live Forever Shirt and I will buy this Vogue office, about the return of Indie Sleaze—the grungy, messy, and kind of sexy style of the late 2000s and early 2010s. Some of our colleagues scoff at the idea of such a recent trend making its return, while others are ready to break out their chokers and knee socks. Vogue fashion writers Christian Allaire and Hannah Jackson got together to debate the so-called return and its longevity. Hannah Jackson: Thank you for joining me here in this Google Doc, Christian. As we both know, there’s been a lot of chatter about the so-called return of Indie Sleaze, both around the office and online. Before we get into it, I’d love to know what the original Indie Sleaze Era was like for you. Christian Allaire: Well, you’re younger than I am, Hannah, but I was in college during the height of Indie Sleaze. I was very much in it. I was inspired by what stars like Sky Ferreira, Sienna Miller, Kate Moss, and Pete Doherty were wearing. It was all about skinny jeans (suffocatingly tight) paired with leather jackets and striped shirts and vests—maybe even a little cheesy fedora, too. Smudged eyeliner; messy hair—an edgy, perfectly-imperfect vibe. I think of Hedi Slimane’s Saint Laurent. Loads of flannels or bomber jackets, or saucy little polka dot dresses with tights. What’s been your relationship to the trend?
Official Official War Bad Boobs Good Assholes Live Forever shirt
HJ: Luckily, I experienced the Official Official War Bad Boobs Good Assholes Live Forever Shirt and I will buy this last few years of the trend while I was in high school. It was all about American Apparel tennis skirts, Arctic Monkeys’s AM, and teaching yourself HTML and CSS so you could customize your Tumblr. Sky Ferreira and Charlotte Free made me want to bleach my hair into oblivion, just so I could dye it pink, and Alex Turner’s famous love letter to Alexa Chung opened my eyes to ~romance~. HJ: I think anyone who broke out the bleach during that time is entitled to financial compensation. As previously mentioned, Indie Sleaze seems to be having a bit of a moment, even though it hasn’t really been that long since it died in the first place. This is definitely a factor that I think some of our more seasoned colleagues scoff at—the idea of a “comeback.” What do you make of all this?
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